Borobudur Temple
Borobudur is the biggest Buddhist temple in the ninth century measuring 123 x 123 meters. It is located at Magelang, 90-km southeast of Semarang, or 42-km northwest of Yogyakarta. Borobudur temple is the one of the best-preserved ancient monument in Indonesia that are most frequently visited by over a million domestic as well as foreign visitors. It also had been acclaimed by the world as a cultural heritage main kind. The architectural style has no equal through out the world. It was completed centuries before Angkor Wat in Kamboja. Borobudur is one of the world's most famous temples; it stands majestically on a hilltop overlooking lush green fields and distant hills. Borobudur is built of gray andesite stone. It rises to seven terraces, each smaller than the one below it. The top is the Great Stupa, standing 40 meters above the ground. The walls of the Borobudur are sculptured in bas-reliefs extending over a total length of six kilometers. It has been hailed as the largest and most complete ensemble of Buddhist relieves in the world, unsurpassed in artistic merit and each scene an individual masterpiece.
Borobudur temple built in the eighth century by the Cailendra dynasty, is believed to have been derived from the Sanskrit words "Vihara Buddha Uhr" the Buddhist Monastery on the hill. Borobudur is a terraced temple surmounted by stupas, or stone towers; the terraces resemble Indonesian burial foundations, indicating that Borobudur was regarded as the symbol of the final resting place of its founder, a Syailendra, who was united after his death with the Buddha. The Prambanan temple complex is also associated with a dead king. The inscription of 856 mentions a royal funeral ceremony and shows that the dead king had joined Shiva, just as the founder of the Borobudur monument had joined the Buddha. Divine attributes, however, had been ascribed to kings during their lifetimes. A Mahayana inscription of this period shows that a ruler was said to have the purifying powers of a bodhisattva, the status assumed by the ruler of Shrivijaya in the 7th century; a 9th-century Shaivite inscription from the Kedu Plain describes a ruler as being "a portion of Shiva."
The Borobudur was in danger of collapsing as its stone statues and stone cancer, moss and lichen affected bas-reliefs. But, the monument has been completely restored and was officially opened by the President on 23rd February 1983. The restoration took eight years to complete, funded by the Government of Indonesia with aid from the UNESCO and donations from private citizens as well as from foreign governments.
The visitors have the option of going by taxi or public bus to reach this temple. Public transportation is available from the bus terminal. From that point visitors can hire becaks or horse carts, or walk the rest of the way to the monument. A large parking area is available not far from the monument, so private cars and buses can park in this area.
Bandungan and Gedong Songo Temple
This is a resort on the slope of mount Ungaran, about 900 meters above sea level. Gedong Songo (nine buildings), a group of small 8th century Hindu Javanese temples, can be reached either by car or on horseback from the town. Built at about the same time as the temples of the Dieng complex, Gedong Songo is one of the most beautifully sited temple complexes in Central Java and the views alone are worth the trip. Gedung Songo ('Nine Buildings') belong to the earliest antiquities of Java, they follow up the temples on the Dieng Plateau directly, for what about time. They were also built high in the mountains in an area full with volcanic activity; and they were also from Hinduist origin. But where the temples on Dieng Plateau are somewhat squeezed into a foggy valley, Gedung Songo are spread over the higher parts of the mountains, which guarantee a splendid view. On clear days, the horizon is one long row of volcanoes, from mount Lawu in the east, towards mount Sumbing, mount Sundoro and Dieng Plateau in the west.
The temples were built between 730 and 780, the first temple excepted, which could have been built some 30 years later. Gunung Songo is not the original name and also doesn't point at the number of structures. The number nine has a special meaning in the Javanese culture, in which there is a strong attachment to numbers. The temples are located at about the same distance from each other (100 meters, 200 meters) on a naturally formed terrace of edge of a mountain.
Sukuh Temple
Sukuh temple is located in Berjo Village, Argoyoso district, in the slope of mount Lawu 35 Km east of Solo at a height about 910 m above sea level. The temple stretches from the east to the west with the main gate in the west. Sukuh Temple is decorated with wayang stone carvings of Hindu origin, the only erotic temple in Java. The stepped pyramid is like the ones in South America of the Maya culture. The temples are distinctive compared with other ancient temples in Central Java such as Borobudur and Prambanan, and its uniqueness lies in the landscaping, statuettes, and relief. The temples occupy an 11,000m2 area and consist of three terraces, each connected with an ascending alley. The most influential part is the last terrace, at the very back of the compound. At this very sacred area, once erected a homogenous phallic statue, which is now displayed at the National Museum, Jakarta. Another interesting and controversial factor of this historical site is the artistic relief on its floor, which depict male and female organs symbolizing the birth of life. This kind of construction is common in prehistoric time, especially in the megalithic era of pundan berundak (terrace grave). The temple consist of three terraces, the first terrace is the lowest level, followed by the second and the third above it. The terrace are connected with stairs to each other, each of it has an entrance gate. The temple has believed to be constructed in the 15th century during the declining years of Majapahit Empire. The relief found beside the first gate are believed had mean (sengkalan) reads Gapura Buta Aban Wong and Gapura Buta Anahut Bubut, meaning the year of 1359 saka or 1437 AD.
Johnson, the resident of Surakarta, first discovered the temple in 1815 in a very poor condition during the period of Raffles government. The first study in 1842 had done under the leadership of Dr. Van de Vlis, Hoepermans and was studied by Verbeek in 1889, and finally by Knebel in 1910. _In 1917 there had been an effort to secure and rescue by the office of prehistoric sites of the Netherlands East Indian Government. Then in 1989 the restoration was resumed by the Restoration and Maintenance of Prehistoric and Historic Project in Central Java. The view surrounding the temple is alluring. The road to this temple with impressive grandeur is surfaced all the way. The structure and the mood of Lawu Temple are different from other temples in Java, it is built like a Maya stepped pyramid, and so it is worth seeing.
Prambanan Temple (Hindu Temple)
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The Prambanan temple is the biggest and a most beautiful Hindu temple about 20 minutes from Yogyakarta city. This magnificent Shivaite temple derives its name from the village where it is located. Locally known as the Loro Jongrang temple, or the temple of the "Slender Virgin" it is reputed to be the biggest and most beautiful Hindu Temple in Indonesia.
17 kilometers east of Yogyakarta, the temple is believed to have been built by King Balitung Maha Sambu in the middle of the ninth century.
To get to Prambanan temple, the closest city to reach is Yogya. The city is accessible by daily flight from major cities in Indonesia like Jakarta, Surabaya and Denpasar. From Yogya, you can either take a taxi or bus (Yogya-Solo), and the temple is situated right on the main street to Solo. The best time to visit Prambanan is in the morning (8-10 AM) or in the afternoon (3-6 PM) when the temperature is warm. In the evening, especially during the full moon, the temple hosts a dance performance taken from the epic Ramayana. The stage is located strategically so that the temple becomes the backdrop of the performance.
Sambisari Temple (From the 10th Century)
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This Shiva temple was discovered in 1966, located about twelve kilometers east of Yogyakarta, on the north of the main road between Yogyakarta and Solo. The temple is very unique. It was covered by volcanic ash and dust because of the eruption of mount Merapi in 1006 and became buried six and a half meters below the surface of surrounding land but remained in perfect condition.
Sewu Temple (Buddhism Temple)
Sewu temple is located 2 km to the north-east of Prambanan Temple. "Sewu" is the Javanese word for thousand. This is the second largest Buddhist temple complex in Java, including several other small temples like Lumbung, Asu, Bubrah, and Lor Kulon temple. Restoration is professionally underway to reach its original form. It is a MANDALA, manifesting the universe in the center temple of Mahadeva, surrounded by four rings of 250 smaller temples of Gods.
Kalasan Temple (Buddhism Temple)
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This unique Buddhist temple is located to the east of Yogyakarta, is about 16 km, on the South side of the main road between Yogyakarta and Solo. It was built in honour of the marriage between King Pancapana of the Sanjaya Dynasty and a Princess of the Cailendra Dynasty, named Dyah Pramudya Wardhani. It is beautifully ornamented with well carved reliefs and coated with "vajralepa", a yellowish material made from the sap of a certain tree. The vajralepa functions as an adhesive and as protection against mildew, and at the same time, refines the carvings. This temple is 24 m high and its base built in the form of a Greek Cross.
Plaosan Temples (Buddhism Temple)
- Plaosan temple is located one kilometer to the East of Sewu Temples. These temples are unique, combining Hindu and Buddhist symbols and carvings. Originally, they were three temples, the shrines and statues are very impressive. According to inscriptions on the stone of Plaosan, these temples were constructed jointly by the rulers of Sanjaya (Rakai Pikatan) and Cailendra (King Samaratungga) dynasties. The relief carved on the southern main temple depicts a man and the other temple, a woman. Another feature of this temple is Perwara temple, which has the shape of a slender stupa.
- After visiting Prambanan temple, you should not rush to your hotel, because close to the beautiful Hindu temple, you can also see other interesting temples. Moving 1 kilometer northwards, you will find Plaosan Temple; a temple constructed by Rakai Pikatan for her wife, Pramudyawardani. The architect of the temple that is located in Bugisan village of Prambanan sub-district is combination of Hindu and Buddha.
- Plaosan complex is divided into 2 groups, namely the North Plaosan Temple and the South Plaosan Temple. Both of the temples have square terrace that is encircled by wall, a pillbox for meditation at the west part and dome on other side. Because of that similarity, the appearance of both temples are the same when they are seen from distant so that Plaosan temple is also called the twin temples.
- The North Plaosan Temple has middle courtyard encircled by wall with the entrance at the west side. In the middle of the courtyard, there is a hall as wide as 21.62 m x 19 m. At the eastern part of the hall, there are 3 altars, namely north, east and south altars. The pictures of Amitbha, Ratnasambhava, Vairochana, and Aksobya are at the east altar. Samantabadhara statue and Ksitigarba figure is at the north altar, while Manjusri picture is at the west alter.
- The South Plaosan temple also has a hall at the center that is encircled by 8 small temples that is divided into 2 ranks and each rank consists of 4 temples. There also pictures of Tathagata Amitbha, Vajrapani with vajra attribute at the utpala and Pranjaparamita who was considered "the mother of all Buddha". Some other pictures can still be found but not at their original places. Manujri figure that according to a Dutch scientist named Krom is significant can also be seen.
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The entire complex of Plaosan temple has 116 ancillary domes and 50 ancillary temples. Ancillary domes can be seen on each side of the main temple, as can smaller ancillary temples. Walking northwards, you can see open building called Mandapa. Two inscriptions can also be found; they are the inscription on gold coin at the north of the main temple and an inscription written on a stone in the first line of the ancillary temples.
One of the characteristics of Plaosan temple is the smooth surface of the terrace. Krom explains that such a terrace is different from other temples of the same time. To his opinion, it is related to the function of a temple by that time that is predicted to keep canonical texts owned by Buddhist monks. Other prediction by Dutch scientists, if the number of monks in that area is small then the terrace might be used as a place for Buddhists to pray.
If you go around the temple complex, you will notice that the complex of Plaosan temple is wide. That can also be noticed from long fence stretching 460 meters from north to south and 290 meters from west to east. There is also moat inside stretching as long as 440 meters from north to south and 270 meters from west to east. The moat can be seen by walking eastwards through the middle part of this historical building.
Ratu Boko Temple (Hindu Temple)
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High on a mountain side about three kilometers to the South of Prambanan temple, Ratu Boko Temple, provides spectacular vistas of the Prambanan plain. To this day it is still unknown who discovered Ratu Boko or who named it. Inscriptions dating from the mid 700's say that it was a dormitory for monks. There are several ruins, including a well preserved arena which was used as a hall for royal audiences. Some legends say that it was also used as a venue for tests of mortal combat. A series of circular plunge pools carved into the limestone were used as royal baths. But most spectacular of all, is the entrance gate. With two separate gateways set on different levels, it contains very elaborate stone facings.
Banyu Nibo Temple
Banyu Nibo temple can be visited easily after visiting Ratu Boko temple. Fairly small, it is located in the middle of farmland about two kilometers south-east of Ratu Boko's Palace, flanked by Gunung Kidul hills to the south. The view of its exotic scenery makes this temple most enjoyable. Its slightly curved roof functions as the top of the stupa and gives the temple a certain allure. This Buddhist temple dates from the 9th century and has recently been restored.
Gampingan Temple
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- Not all temples have typical, beautiful relief since generally they are decorated with statues and general relief as those found in almost all other temples. One of the temples with specific, beautiful relief is Gampingan, a temple that was incidentally found by a brick craftsman in Gampingan Village, Piyungan, Bantul in 1995. Small and incomplete, Gampingan temple is still rich in the enchanting relief.
- One of the reliefs that we can see in this temple is the animal relief at the foot of it. The animal relief in this temple looks so natural that we can name the described animals. It is quite rare to find such relief; at least, they are only Prambanan and Mendut temples that have similar relief. All of the reliefs are decorated with ivory plant, namely padmamula (the roots of lotus plant) that is believed to be the source of life.
- When we walked around the temple, it clearly look that birds dominate the decoration. There is a relief of a raven with its big beak, robust body, up stretching wings and the fan-like tail. There is also a relief of a woodpecker that is described to have a crest on its head, rather long, pointed beak, and not-stretched wings. Besides, there is also a crow with distended chest and wings stretching downward.
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Other animal that is often described in the temple is frog. The community believed that frogs have supra natural power to send rain so that it was also believed to increase productivity, because the rain will be able to increase the harvest. The frogs that usually come up from waters also symbolize life renewal and the awakening towards better direction.
The relief still leaves a question of whether it is a fable (the animal story told to children) like the one in Mendut temple or a description of animals that was intentionally made to denote certain meaning. Such question rises because the description of the animals in the temple was not found in any books containing fables such as Jataka, Sukasaptati, Pancatantra and its hereditary versions.
Gampingan temple that is predicted to be built between 730 - 850 AC is believed to be the place for adoring Jambhala (god of prosperity, the child of Siva). The idea is based on the finding of Jambhala statue in the digging process. Jambhala is described to have been meditating; sitting crossed-legged while closing the eyes. The body was decorated by iconographical element (asana) in the form of a lotus with 8 pieces of leaves as the symbol of Vishnu mystical weapon (cakra) in the human body.
The figure of Jambhala in this temple is different from those in other temples. Generally, Jambhalas in other temples are described with wide eyes looking at the worshippers with various accessories symbolizing prosperity and luxury. This different description is believed to be based on the worship motivation, not to invoke prosperity but guidance in order to achieve the real happiness.
Visiting Gampingan temple will lead us to remembering the path we have taken to achieve happiness and prosperity. Relief that is dominated by animals that live in the surrounding environment could be the realization of local community's wisdom by that time in representing a message from nirvana: mankind must keep the harmony of nature in order to live in prosperity and to avoid disaster.
Ijo Temple
- Going along the street leading to the southern part of Queen Boko Palace complex is such an exciting journey, especially for cultural tourism lovers. The reason is that there are so many temples mushrooming in that area. One of them that is rarely talked about is Candi Ijo or Ijo Temple; one temple of which location is the highest compared to other temples in Yogyakarta.
- Ijo Temple was built in around the ninth century on a hill named the Green Hill of which height is 410 meters above the sea level. Because of this height, we can enjoy not only the temple but also natural view below such as terraces of agriculture land with its steep slope. Even though this is not a fertile area, natural view around the temple is so beautiful to enjoy.
- The complex of the temple consists of 17 building structures that are divided into 11 terraces. The first terrace functioning as the yard leading to the entrance is a terrace with staircase stretching from west to east. The building on the eleventh terrace is in the form of encircling wall, eight pole phallus, four buildings namely the main temple, and three ancillary temples. The placement of the building on each terrace is based on the level of its being sacral. The building on the highest terrace is the most sacral.
- Variants of painting are found since the entrance of this Hindu temple. Right on the entrance gate, there is a motif of double head giant and some of its attributes. Such motif and attributes found in Buddhist temples show that such temples are acculturation forms of Hindu and Buddha cultures. Some temples having such giant motif are Ngawen, Plaosan and Sari.
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Approaching the ancillary temples on the eleventh terrace, there is a pit possible used to burn sacrifice. Right on the upper part of the pit back wall there are ventilations in the forms of trapezium and triangle. The pit reflects the Hindu community that adores Brahma, the god of fire. The three ancillary temples show community adoration to the three Hindu gods, namely Brahma, Siva, and Vishnu.
Some of the works that keep mystery are two inscriptions located in the temple building on the ninth terrace. One of the inscriptions is coded by letter F with the writing Guywan or Bluyutan meaning place for meditation. Another inscription is made of stone as high as 14 cm and as thick as 9 cm containing magic spells that are predicted to be curses. The magic spells were written 16 times and parts of them read "Om Sarwwawinasa, Sarwwawinasa." The two inscriptions may relate closely to certain occurrences in Java by that time. What were the occurrences? They are not revealed yet up to now.
Visiting this temple, you will find beautiful scenery that other temples do not have. Looking down westwards, you will see airplane taking off and landing at Adisutjipto International Airport. You see this scenery because the Seribu Mountains where Ijo Temple is located is the border of the east part of the airport. It is because of the presence of this temple that Adisutjipto Airport cannot be lengthened eastwards.
Each detail of the temple presents meaningful thing and invites the visitors to make a reflection so that the journey will not just be fun time. Great paintings without the name of the creators show life philosophy of the past Javanese community that emphasized more on moral message presented by the works rather than the creators or the greatness of their works.
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